Abstract
This paper examines the emergence and significance of digital storytelling as a transformative literary phenomenon in contemporary Iraq. Focusing on the period from 2003 to the present, it investigates how Iraqi writers, poets, and intellectuals have appropriated blogs, social media platforms, and online literary journals as alternative spaces for cultural expression, political dissent, and national identity construction. Drawing on theories of digital narratology, postcolonial literary criticism, and cultural memory studies, the paper argues that Iraqi digital literature constitutes a new literary genre with distinct aesthetic, rhetorical, and political characteristics — one that supplements, challenges, and at times surpasses the authority of print-based literary tradition. By analyzing prominent Iraqi blogs and social media literary communities, the paper identifies recurring themes of trauma, exile, resistance, and reconstruction that organize the new Iraqi digital narrative. It further situates this phenomenon within the broader Arabic digital literary movement while arguing for its unique Iraqi specificity. The paper concludes by foregrounding the implications of this shift for archival practices, literary canon formation, and the future of Arabic literary studies in the digital age.

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Copyright (c) 2026 Abdali D. Jasim